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Castellani - Jewelry Artists - Artist Biographies ...

    https://www.macklowegallery.com/education.asp/art+nouveau/Artist+Biographies/antiques/Jewelry+Artists/education/Castellani/id/28
    Using his immense knowledge of classical jewelry design and the new techniques to replicate ancient processes, Castellani became the first 19th-century goldsmith to create works closely modeled after classical Italian and Greek prototypes, thus creating a new fashion trend. Castellani's appreciation of the exquisite craftsmanship displayed in ancient jewelry …

Castellani Werkstätten ERNST FÄRBER

    https://www.ernstfaerber.com/workshop/castellani/
    Augusto Castellani (1829 – 1914) New jewellery based on classical forms, worked with special granulation and filigree techniques, and inspired by archaeological finds, bring fame to the Roman jeweller Castellani in the 19th century. In 1814 the Castellani firm is started by Fortunato Pio Castellani …

The Castellani and Italian Archaeological Jewelry - Bard ...

    https://www.bgc.bard.edu/gallery/exhibitions/40/the-castellani-and-italian-archaeological
    The Castellani and Italian Archaeological Jewelry was the first exhibition to explore in depth the artistic and scholarly contributions to jewelry made by three generations of the Castellani family in 19th-century Rome. This landmark exhibition, organized by the Bard Graduate Center, was also seen in Rome at the National Etruscan Museum at Villa Giulia and in London at Somerset House.

The Man With The Most Valuable Jewelry Collection You ...

    https://www.forbes.com/sites/anthonydemarco/2019/04/03/the-most-valuable-jewelry-collection-you-never-knew-existed/
    Apr 03, 2019 · The Castellani Triptych, circa 1865, by Augusto Castellani of Italy Albion Art “I took my responsibility to the family business very seriously, wholeheartedly and in my first year I managed to ...

Augusto Castellani (1829-1914) - Find A Grave Memorial

    https://www.findagrave.com/memorial/91951229/augusto-castellani
    Augusto was of a family of jewellers, collectors and writers. The firm was founded in Rome by by his father, Fortunato Pio Castellani shortly after 1820. It was expanded by Augusto and his brother Alessandro and was foremost in reviving period style in jewellery design. Their reputation was established in Rome by the mid-19th century.Burial: Cimitero Comunale Monumentale Campo Verano, …

Castellani

    https://buymygold.com/artists/italian-designers/castellani.html
    Castellani jewelry consisted of finely wrought gold often combined with delicate and colorful mosaics, carved gemstones, or enamel. The Castellani legacy began in 1814 when Fortunato Pio Castellani (1793-1865), the son of an Italian jeweler, began to apprentice in his father’s Rome workshop.

Chapter 5. Victorian Archeological and Renaissance jewellery

    http://www.victorianweb.org/art/design/jewelry/gere/5.html
    Castellani had begun to imitate the jewellery from the excavated tombs in the 1820s, beginning by making simple copies of Roman jewels in filigree and gold in about 1826, but he was determined to reproduce the more elaborate Etruscan work and to this end began his researches into the history of jewellery technique, consulting the works of Pliny, Theophilus (the llth century Westphalian monk) …

Bonhams : A 19th century Italian silver chamberstick ...

    https://www.bonhams.com/auctions/25305/lot/23/
    The Castellani firm of jewellers and silversmiths was founded by Fortunato Pio Castellani (1794-1865) who opened his first workshop in Rome in 1814. Although he started off producing jewellery in the contemporary English, French and Swiss tastes, he went on to gain renown for 'archaeological jewellery' based on originals from the ancient world.

Giampietro Campana - Wikipedia

    https://en.wikipedia.org/wiki/Giampietro_Campana
    In hopes of finding a buyer, the antique gold was entrusted to the Castellani atelier, founded in 1814 by Fortunato Pio Castellani (1794-1865), a goldsmith, antiquarian and collector, whose atelier producing jewellery and goldsmith's work was among the first to take inspiration from the gold of Antiquity that was being recovered by Campana and others from excavations in the Roman Campagna and in Etruria.

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