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About — Caroline Broadhead

    https://carolinebroadhead.com/about/
    Broadhead held the positions of Jewellery and Textiles Programme Director and BA Jewellery Design Course Leader for nearly ten years at the College until her retirement in 2018 and is now Professor Emerita. She continues to teach on the course and is a guest …

Caroline Broadhead

    https://carolinebroadhead.com/
    Broadhead demonstrates her diverse practice by incorporating intricately beaded pieces in this exhibition, further teasing out how images are not fixed, but easily lost and made meaningless. Other works shown include two picture frames, dissected and then reconstructed.

Caroline Broadhead Central Saint Martins

    https://www.arts.ac.uk/colleges/central-saint-martins/stories/caroline-broadhead
    After nearly ten years as Jewellery and Textiles Programme Director and BA Jewellery Design Course Leader, Caroline Broadhead will be stepping down from her role at Central Saint Martins to focus on future endeavours. Ahead of her departure, we interviewed her about her expansive practice and her time teaching at the College.

Artist - Caroline Broadhead - Drawn to Stitch

    https://drawntostitch.weebly.com/artist---caroline-broadhead.html
    Caroline Broadhead Caroline Broadhead was born in Leeds. Caroline studied jewellery at the Central School of Art and Design London and the Leicester School of Art. After graduating in 1972, she set up her own practice in Covent Garden, sharing workshop …

10+ Best Caroline Broadhead images caroline, jewelry art ...

    https://www.pinterest.com/andreacarney/caroline-broadhead/
    Caroline Broadhead is a creative visionary who moves with ease across many disciplines, including jewelry, textiles, furniture, installations, and even collaborations with live performers.12 pins

Jewellery Girls Q&A: Caroline Broadhead, CSM

    https://www.professionaljeweller.com/jewellery-girls-qa-caroline-broadhead-csm/
    Caroline Broadhead: After graduating from Central School of Art and Design (as it was known then) in 1972, I set up my own practice in Covent Garden, sharing workshop space with two colleagues. My work explored value, movement and change in various different materials and it developed into hybrid work in the area between clothing and jewellery.

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