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Gijs Bakker, 5-metre necklace, gold wire, 1977 In 1973 Bakker designed the so-called “organic” pieces, which marked on advanced dematerialization of jewelry. With the aid of photographs he showed the impression of a gold-wire which had been tightly bound around arm, leg or waist for a short period.
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Gijs Bakker Gijs Bakker (Amersfoort, 1942) is trained as a jewelry and industrial-designer at the Gerrit Rietveld Academie in Amsterdam, the Netherlands and the Konstfack Skolen in Stockholm, Sweden. His designs cover jewelry, home accessories and household appliances, furniture, …
https://www.pinterest.com/gregoryschaaf5/gijs-bakker-jewelry/
Gijs Bakker wearing his Bib, made in 1976 Earliest use of photos in jewelry were locket-style portraits, an extension of the painted miniatures people were Paper Jewelry Jewelry Art Design Textile Tree Seeds Body Adornment Pomegranate Seeds Environmental Art Textures Patterns Wearable Art29 pins
https://artjewelryforum.org/gijs-bakker-on-shuttering-chp%E2%80%A6
Gijs Bakker: I think that jewelry has detached itself from the body. One of the rights to existence for jewelry is that it relates to the body, that it can respond to it, connect to it, and confront it. Not only physically to the body, but also to the human aspect, to the person wearing it.
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