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Joyce J. Scott - MacArthur Foundation

    https://www.macfound.org/fellows/971/
    Mar 26, 2018 · Joyce J. Scott is a jewelry maker and sculptor repositioning craft, and in particular beadwork, as a potent platform for commentary on social and political injustices.

Joyce Scott American Craft Council

    https://www.craftcouncil.org/recognition/joyce-scott
    Joyce J. Scott is an award-winning, multifaceted visual and performance artist most known for her work in jewelry, beadwork, and glass. She was elected into the College of Fellows in 2000 and earned the Gold Medal for Consummate Craftsmanship in 2020.

Joyce Scott Smithsonian American Art Museum

    https://americanart.si.edu/artist/joyce-scott-7088
    Joyce Scott relates her work as an artist to her family’s craft traditions and to her African American heritage. In her jewelry and sculpture, she employs humor and irony to address cultural stereotypes and issues of racism and sexism.Born: Nov 15, 1948

Joyce Scott Art Jewelry Forum

    https://artjewelryforum.org/joyce-scott-1
    Joyce Scott is a very special jeweler to me since she made the pieces that provided my first clue that jewelry could have something to say. In 1981, four of her brooches were included in an exhibition called The Eloquent Object. The brooches were based on the 1978 suicide of 909 people in Guyana on the direction of Jim Jones, their cult leader.

Joyce Scott: narrative beadwork the jewelry loupe

    https://thejewelryloupe.com/joyce-scott-narrative-beadwork/
    Joyce Scott’s beaded jewelry is often figurative, and not in a subtle way. Her figures swell beyond jewelry proportions: faces with vivid expressions, female bodies with full breasts and thighs. Captured in the confines of a necklace, her figures loom around the wearer like cartoon ghosts, demanding attention.

A world bead: jewelry artist Joyce Scott wins a MacArthur ...

    https://thejewelryloupe.com/a-world-bead-jewelry-artist-joyce-scott-wins-a-macarthur-fellowship/
    Sep 23, 2016 · Joyce Scott’s beaded jewelry is often figurative, and not in a subtle way. Her figures swell beyond jewelry proportions: faces with vivid expressions, female bodies with full breasts and thighs. Captured in the confines of a necklace, her figures loom around the wearer like cartoon ghosts, demanding attention.

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