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https://en.wikipedia.org/wiki/Punjabi_culture
Aug 03, 2006 · Punjabi wedding traditions and ceremonies are traditionally conducted in Punjabi and are a strong reflection of Punjabi culture. While the actual religious marriage ceremony among Muslims, Hindus, Sikhs, Jains, Buddhists and Christians may be conducted in Arabic, Urdu, Punjabi…
https://en.wikibooks.org/wiki/Punjabi/Vocabulary/Jewellery
Jan 13, 2018 · ਗਹਿਣੇਂ - Jewellery Punjabi womenfolk are particularly fond of jewellery, which finds a prominent place in Punjabi folklore and literature.
https://en.wikipedia.org/wiki/Punjabi_wedding_traditions
Engagement is a significant part of a Punjabi wedding. First, the girl is draped with a chunni (very decorative dupatta ), which is usually very ornate. In some families this chunni is a family heirloom, passed down from generation to generation. She is also presented with jewelry, which her mother and sister-in-law help her wear.
https://en.wikipedia.org/wiki/Punjabi_clothing
The Punjabi ghagra was the traditional apparel for women before the advent of the Punjabi suit.It is still worn in parts of the Punjab region and the outfit comprises the head scarf, kurta/kurti, suthan/salwar and the ghagra. The ghagra has its origin in the candataka, which had become a …
https://en.wikipedia.org/wiki/Anklet
An anklet, also called ankle chain, ankle bracelet or ankle string, is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8000 years by girls and women in South Asia, where it is commonly known as pattilu, payal and sometimes as nupur.They have also been worn by Egyptian women since predynastic times.
https://en.wikipedia.org/wiki/Bangle
A chura is a set of Bangles traditionally worn by a bride on her wedding day and for a period after, especially in Punjabi weddings. Production [ edit ] A store at Laad Bazaar , Hyderabad , Telangana India, selling bangles and jewellery.
https://www.allaboutsikhs.com/punjab/punjab-traditional-ornaments-of-punjab/
But the significance of Punjabi jewelry lies outside of this amplitude, in variety and aesthetics. It is in fact a part of the Indian culture, a facet of its social pattern with deep religious overtones, and has to be viewed against this perspective.
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