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https://www.rct.uk/collection/people/rundell-bridge-rundell
Rundell Bridge & Rundell Rundells was Royal Goldsmith from 1797 until 1843. The firm was responsible for the Crown Jewels used at the coronations of George IV (1762–1830), William IV (1765–1837) and Queen Victoria (1819–1901), as well as for a wide range of banqueting plate and jewellery now in the Royal Collection.
https://www.pinterest.com/austenonly/rundell-bridge-and-rundell/
AN IMPORTANT PAIR OF GEORGE IV SILVER-GILT THREE-LIGHT CANDELABRA MARK OF PHILIP RUNDELL, LONDON, 1820, RETAILED BY RUNDELL, BRIDGE & RUNDELL, BASED ON THE DESIGNS OF JOHN FLAXMAN, MODELLED BY EDWARD HODGES BAILY Each on circular base with fruiting grapevine border, stem cast as Orpheus resting against fruiting grapvines as he is struck by …35 pins
https://www.pushkinantiques.com/rundell-bridge
Philip Rundell (Bath 1746 - 1827) & John Bridge (Piddletrenthide 1755 - 1834) Philip Rundell began his career as an apprentice to William Rodgers, a jeweller in Bath. He moved to London in 1767 and found employment as a shop assistant for a goldsmith firm, Theed and Pickett. In 1785 he took over the business following the death of Theed’s daughter and became the sole owner of the company.
https://frankensaurus.com/Rundell_and_Bridge
Rundell & Bridge were a London firm of jewellers and goldsmiths formed by Philip Rundell (1746–1827) and John Bridge (baptized 1755–1834). Wikipedia
https://www.vanessakellyauthor.com/tag/rundell-and-bridge/
Mar 15, 2016 · One of the most famous jewelers of the Regency period was Rundell and Bridge. The store, located at 32 Ludgate Hill, provided jewelry to the most fashionable women in England, as well as being the official jeweler to the Crown. Phillip Rundell and possibly irate customer
https://www.koopman.art/objdetail/820838/17782/paul-storr-silver-gilt-royal-candlesticks
For full details of Storr's relationship with Rundell, Bridge and Rundell please see N.M. Penzer, 1954 or Royal Goldsmiths, The Art of Rundell and Bridge, 2005. Storr's reputation rests on his mastery of the grandoise neo-Classical style developed in the Regency period.
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