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http://theses.gla.ac.uk/318/
This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The work is largely divided into three parts. The first part, itself divided into sections dedicated to Greece (with Etruria as an afterthought) and Rome respectively, discusses the symbolism …
http://theses.gla.ac.uk/318/2/2007pinckernellemphil.pdf
K. Pinckernelle, ‘The Iconography of Ancient Greek and Roman Jewellery’ University of Glasgow, History of Art Department, November 2007 8 As will be seen, ancient jewellery is neither simply decorative nor only concerned about status, nor purely serving as an amulet.4 Ancient civilisations tended to put greater emphasis on the amuletic purpose than
https://www.semanticscholar.org/paper/The-iconography-of-ancient-Greek-and-Roman-Pinckernelle/cffc3cbd61fb5e3e98ac8fb5b265b2beecf2399c
This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The work is largely divided into three parts.
https://www.pinterest.com/pin/407153622533366930/
Oct 10, 2013 - Many books – and countless introductions – have been written about ancient jewellery, covering its techniques, styles and history. None of these sources, however, provides an insight into the iconography and symbolism of these jewels to any considerable degree.
https://programminginsider.com/the-history-of-jewellery/
Oct 05, 2020 · Greek jewellery from the Hellenistic period (4th-5th centuries BC) was mainly made of gold, bronze, garnets, emeralds and enamel. These are jewels with a high decorative overload, representing several iconographies specific to the Greeks, such as the palmette, the rosette, the knot of Heracles, the serpent, the winged figures and the griffins.
https://theancienthome.com/blogs/blog-and-news/ancient-roman-jewelry-history-facts
While Roman women would wear a great variety of jewelry, the man used to wear at least one ring. The rings were commonly made of gold or electrum, and sometimes their stone shows an intaglio that was used to seal important documents with hot wax. Gold ring with onyx intaglio …
https://en.wikipedia.org/wiki/Roman_jewelry
Ancient Roman jewelry was characterized by an interest in colored gemstones and glass, contrasting with Greek predecessors, which focused primarily on the production of high-quality metalwork by practiced artisans. Various types of jewelry were worn by different genders and social classes in Rome, and were used both for aesthetic purposes and to communicate social messages of status and wealth.
https://en.wikipedia.org/wiki/Ancient_Greek_art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture.
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